Decibel Festival is proud to be partner with the Seattle Theatre Group to present Richie Hawtin’s “College Campus Tour” CNTRL: Individuality & Creativity In Technology-Based Music! The innovative, inventive, and immersive experience will touch down at the University of Washington in Seattle, WA on Wednesday, April 22 followed by a performance at the Neptune Theatre with Richie Hawtin, Dubfire, Chris Liebing, and Ean Golden.

Seattle Panel Schedule – Guest speaker for Seattle is Sean Horton of Decibel Festival:
CNTRL seattle schedule

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Daytime Events (FREE & open to public):
12:00 – 2:00 PM: Market Fair – showcasing the latest hardware in music production.
2:00 – 3:00 PM: Master Class with one special guest producer from the tour.
3:00 – 5:00 PM: Full Panel with Ean Golden, Richie Hawtin & guests.

Seattle Evening Show Lineup:
Richie Hawtin
Chris Liebing
Ean Golden
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Press Release: In 2012, CNTRL established a groundbreaking model of daytime lectures on music, technology, and their intersection and nighttime performances that proved to be a first for the genre. Now, that template expands and evolves for 2015, hitting more markets across the country along the way. Once again, the brand allows attendees a new kind of insight into the music in addition to a powerful and potent concert that literally places the day’s words in motion.

This time around, the enlightening musical happening confidently lives up to its title of “Individuality & Creativity In Technology-Based Music.” Featuring Ean Golden of DJ TechTools as seminar moderator, the day basically functions as a college for future electronic music stars. Guitar Center in the U.S. and Moog Audio in Canada will run a five hour technology marketplace, offering students exclusive discounts on participating brands while lectures are happening.

Each sponsor will be unveiling and flaunting new products. Technology companies participating are: AIAIAI / Beatport / DJ Techtools / Funktion One / Little Bits / Livid / Pioneer / Roland / Splice / Subpac / Traktor (Native Instruments)

At the centrepiece of CNTRL: Individuality & Creativity In Technology-Based Music, there is an hour-long masterclass produced and hosted by one of the world’s premier electronic music schools Point Blank Music School. The day culminates on a discussion with RICHIE HAWTIN, Ean Golden, and DJs at each respective date as well as special guest speakers. For example, Grimes will join the tour for a discussion in Los Angeles. As Claire Boucher, she has performed at Hawtin’s Enter.Ibiza in the past. At night, attendees get to witness everything come to life during a fiery gig by CNTRL’s namesake and a myriad of top artists and revolving line-up depending on the city.

“I hope that people walk away from the CNTRL tour with a deeper understanding and appreciation for the individual creativity that each artist & performer puts into their own shows. We hope that some of the participants and fans will be inspired to take their next steps at trying their hands at their own creativity,” says HAWTIN. “Berklee has always been about teaching the music of our time, and with so much of the sound of contemporary music shaped by technology, it’s an important part of what we do here. Richie Hawtin has been a pioneer in using technology not only to create music, but to reach out to audiences and shape the tools used by other musicians. He’s a natural fit for what we do here at Berklee,” says Michael Bierylo, Chair, Electronic Production and Design, Berklee College of Music. “CNTRL has been a great way for our students to learn directly from working professionals at the top of their game, and it’s been a natural extension of their classroom studies. We are proud to work with Richie and the CNTRL tour.”

About the tour, Ean Golden adds, “CNTRL is a collection of inspiring artists who have taken control of their career and forged original paths through the music industry. By going out on the road and directly speaking to fans, this tour will move aspiring artists to find their own voice, and believe in the possibility of success, even if it doesn’t fit the typical music molds of today.”